Mike Golden art (1983)
Terry Kevin Austin is an American comic book artist who is best known for his exceptional inking talents. Austin’s inking — especially in the period of the 1970s and early 1980s — is notable for its smooth, precise rendering; and extremely detailed backgrounds, making his embellishing work easily identifiable. His style has been highly influential on a subsequent generation of inkers including Al Gordon, Andy Lanning, Scott Williams and Rob Liefeld.
Austin grew up in Detroit, Michigan and attended Wayne State University. He started inking comics as an assistant to Dick Giordano and Neal Adams, doing “Crusty Bunker” work for Adams’ Continuity Associates. Austin came to prominence in 1976–1977, inking Marshall Rogers’ pencils on a celebrated run of Batman stories for DC Comics’ Detective Comics collaborating with writer Steve Englehart. During this same period, Austin inked Michael Netzer (Nasser) on DC’s Martian Manhunter in Adventure Comics and Green Arrow/Black Canary in World’s Finest Comics, as well as Al Milgrom on Marvel Comics’ Captain Marvel. He later teamed with Rogers again on Marvel’s Doctor Strange.
In 1977, Austin and penciler John Byrne became the new art team on Uncanny X-Men. With writer Chris Claremont they produced a series of stories — particularly “The Dark Phoenix Saga” — which elevated the title into the top-selling American comic book.
Austin left Uncanny X-Men in 1981 and has since worked on a variety of titles for both Marvel & DC, including Doctor Strange (over Paul Smith and Dan Green pencils), Superman vol. 2 (over Byrne), Justice League (over Kevin Maguire) and Green Lantern (over Darryl Banks). Austin contributed to several anniversary issues for DC including Justice League of America #200 (March 1982), Superman #400 (Oct. 1984) and Batman #400 (Oct. 1986). He was the regular inker of DC’s Superman Adventures for nearly six years, from 1996–2002. His inking work since 2002 has included over fifteen years of inking the Sonic the Hedgehog comic book series for Archie Comics, which he continued until the series cancellation in 2017.
Al Milgrom is an American comic book writer, penciler, inker and editor, primarily for Marvel Comics. He is known for his 10-year run as editor of Marvel Fanfare; his long involvement as writer, penciler, and inker on Peter Parker, The Spectacular Spider-Man; his four-year tenure as West Coast Avengers penciler; and his long stint as the inker of X-Factor. He often inked Jim Starlin’s work. Milgrom is the co-creator of DC superhero Firestorm.
Al Milgrom grew up in Detroit, Michigan and graduated from the University of Michigan in 1972. Milgrom started his comics career in 1972 as an assistant for inker Murphy Anderson. During that period, Milgrom contributed to Charlton Comics’ Many Ghosts of Doctor Graves, Star*Reach, and comics published by Warren Publishing and Atlas/Seaboard, before joining with Marvel. Milgrom also worked as a “Crusty Bunker” for Neal Adams’ Continuity Associates in 1977.
At one point Milgrom lived in the same Queens apartment building as artists Walter Simonson, Howard Chaykin, and Bernie Wrightson. Simonson recalls, “We’d get together at 3 a.m. They’d come up and we’d have popcorn and sit around and talk about whatever 26, 27 & 20-year-old guys talk about. Our art, TV, you name it. I pretty much knew at the time; These are the good ole days.”
Milgrom came to prominence as a penciller on Captain Marvel from 1975 to 1977. He penciled the Guardians of the Galaxy feature in Marvel Presents, which was written by Steve Gerber and Roger Stern. Milgrom worked as editor at DC Comics from 1977 to 1978. While at DC Comics, he co-created Ronnie Raymond, the original Firestorm, with writer Gerry Conway.
Milgrom was an editor for Marvel Comics beginning in 1979 and editing Marvel Fanfare for its full ten-year run (#1–60, March 1982–January 1992). As editor of The Incredible Hulk, he designed the costumes of the U-Foes. He drew The Avengers (1983–85), The West Coast Avengers (1985–88), Kitty Pryde and Wolverine (1984–85), Secret Wars II (1985–86) and wrote the Mephisto limited series (1987).
Milgrom wrote and drew Peter Parker: The Spectacular Spider-Man #90–100 (1984–85) and The Incredible Hulk (1986–87). In 1991, he wrote a story arc for The Amazing Spider-Man and collaborated with Danny Fingeroth on The Deadly Foes of Spider-Man limited series.
Milgrom has been a prolific inker, working on most of Marvel’s line. He served an eight-year stint as the inker of X-Factor in 1989–1997. He inked Ron Frenz on Thor in 1991–1993 and Thunderstrike from 1994 to 1995. Other series he has worked on include Captain America, Generation X, The Micronauts, and the Uncanny X-Men. Milgrom inked the limited series A-Next, J2, Marvel: The Lost Generation, and Thanos. Beginning in 1996, Milgrom completed his artistic journey on The Spectacular Spider-Man by inking the title until its cancellation in 1998.
In 2001 Milgrom was fired from his Marvel staff job when it was discovered he had added hidden slanderous comments against then Editor-in-Chief Bob Harras in the background of a page in the comic book Universe X Special: Spidey. Milgrom went on to freelance for Marvel, mostly inking Jim Starlin’s work. He also started to work for Archie Comics on a regular basis, inking a variety of titles. Beginning in the early 2000s, Al Milgrom freelanced for DC again, providing inks for titles like Mystery in Space (vol. 2), Ambush Bug: Year None and Strange Adventures (vol. 3).
American comic book artist who worked for both DC and Marvel Comics, most known for his work on Superman.
Josef "Joe" Rubinstein is a comic book artist and inker, most associated with inking Marvel Comics' The Official Handbook of the Marvel Universe and the 1982 four-issue Wolverine miniseries by Chris Claremont and Frank Miller. He is also known to be the one to have given artist Art Adams his first professional work.
Inker at Marvel and DC, Wiacek worked with John Byrne, Carmine Infantino, John Romita Jr., and Todd McFarlane.